Latest Installation Photographs

Boom! - an exhibition of work by ALLAN MACDONALD. Waves can be relentless in the winter on the northern shores of Lewis. Eventually, they will erode the ancient rock. 

Long exposure with two Tony's. The paintings are oils from Glasgow-based Iona Roberts. Her inspiration is from the Isle of Arran. 

Part of our August 2026 exhibition showing the work of Ann Oram, Christopher Wood and Allan MacDonald with Jeanie Merry's bronze sculpture. There is the ghost of a Tony in the distance. 

Three works by Rory Macdonald and a velvet chair. 

Jeanie Merry's Trust Me and one of Ann Oram's Venice paintings. Jeanie is inspired by the human-horse connection and has captured a short instant in the permanance of bronze. 

Our vestry, showing the work of Gerald Laing and Lotte Glob. 

Made from brass-weld and steel, Helen Denerley's dragonfly is resting on a stone at our new pond. 

Light streaming in from the gallery's entrance. The pink paint is origional and dates from 1835. The painting is one of a series of paintings Ann Oram has made after trips to Venice and Lucca. 

Some of Allan MacDonald's magnificently painterly seascapes in his exhibition Boom!

The roadside wall with the gallery's tall Georgian windows. Paintings are by Kirstie Cohen, Ann Wegmuller and Rory MacDonald. 

The large painting is Peter Thomson's Shooting an Elephant (1997,) inspired by a George Orwell essay. It's the largest oil on paper I've seen and endlessly fascinating with its many creatures, beings and the rich Burma setting. 

Two of Skye-based James Newton Adams' paintings (High Tide and Two Fishermen.) They're full of observation and finely balanced composition.